Teaching the Triple Jump
by Douglas Todd, Director, Cross Country and Track and Field
Mt. San Antonio College (Mt. SAC), Walnut, California
Thanks to Coach Todd for this useful analysis of the triple jump, its phases, and the basic drills that will
help the beginner get the feel of the event.
Reprinted from Track Coach #146 (Winter 1999)
An understanding of the feel or rhythm of the triple jump is important to the development of any triple jumper. Because the athlete must clearly understand how the event flows from one segment to the next when done correctly, it is crucial that the coach begins instruction with a whole-part-whole teaching philosophy. The novice triple jump athlete must develop the kinesthetic awareness of the whole movement before instruction progresses to the individual parts. Without knowledge of the whole, the individual parts are meaningless.
Hand-in-hand with developing a feel for the event is the need for the athlete to get accurate feedback from the coach and his/her own individual feedback system (i.e., his sensory perceptions of his own physical movements). The combined feedback, or knowledge of response, is vital to the learning process. Accurate knowledge of response can cut the learning curve in half.
One of the best drills for teaching the rhythm or feel of the triple jump is described below. I have used this teaching method with my track team athletes and with numerous physical education classes during Track and Field activity units. It is simple, but effective, having worked in one-on-one settings and with a coed freshman PE class of over 50! Technique is not the goal of this drill; timing, rhythm and kinesthetic feel are the focus.
DRILL ONE
The lefts and rights refer to foot strike patterns and the word ‘together’ refers to the end of the jump when both feet are together and the athlete has landed in the sand.
As neither combination is better than the other, you will have them experiment with both and find out which they prefer. Once a preference is determined, the athlete should focus on it for a while.
Allow him to use a two-step run-up to the line, then a five-yard run-up, and finally allow a ten-yard run-up. The goal or emphasis in each of these drills should be the correct foot strike pattern and learning the feel and rhythm of this event. No attention should be paid to arm mechanics, length of phases, posture or any other technique variable at this point.
BOUNDING
A triple jumper must know how to bound; this skill is crucial if the athlete hopes to be successful. There should be some type of bounding work built into practice each day, especially for the beginning athlete.
Start with single-arm bounding, and progress to double-arm bounding. Initially, it is much more important to work on the athlete’s timing and help him develop a smooth, or relaxed bounding motion. Covering distance, or “power” bounding, can come later and will come more easily once the athlete has developed the proper timing and sequence for the movement.
Drill Two is designed to teach bounding to a large group of athletes in a relatively short period of time, as it keeps everybody busy and allows even the lesser skilled to see some success.
DRILL TWO
PHASE OF THE JUMP
Each phase is a distinct, separate action and must be learned and practiced as such. However, each of these phases must be blended together into one continuous, flowing movement when performed, which brings us back to and reinforces the whole-part-whole teaching philosophy mentioned previously. This whole action cannot be understood and performed without an understanding of and proficiency with the individual parts.
Since by now your athletes should have a good feeling or awareness of the overall movement, I believe the best course of action for the majority of jumpers is to work at and drill the individual parts. Once each part is learned, the task becomes one of blending each part back together and learning the transitions. Coaching the transitions from runway to hop, from hop to step and step to jump is where the real work is found. Smooth transitions and active landings take time to master fully. Thankfully, however, much progress can be made by improving the individual phases.
In the various phase discussions that follow, I will describe a left-left-right-together pattern. All cues and description are the same for either pattern.
HOP PHASE
The hop phase is a cyclic motion, and it corresponds to the athlete’s “left-left” sequence pattern that was learned in the first drill. The athlete runs down the runway, takes off or leaves the ground from his left foot, cycles this leg through, and now lands on the left foot.
There are several important things to focus on in this phase. The first is maintaining as much horizontal velocity as possible. To do this, the athlete’s foot must strike the runway directly below the hips or center of mass.
The foot must strike the runway in a “pawing” motion, which is similar to a person trying to propel himself forward on a skateboard.
The posture of the athlete is important during this first phase as well. The body should be erect and upright at takeoff, during flight, and on landing. Any forward lean or bending at the waist can cause excessive forward rotation or inhibit necessary movement into the next phase.
Sending both arms forward at takeoff is also important in the hop phase. A double-arm takeoff is not difficult to learn and has the added advantage of getting both arms out in front at the beginning of the jump. A strong double-arm pump increases the amount of force the athlete applies and improves overall jump distance.
DRILL THREE
The athlete should spend time performing the hop motion. However, the hops do not have to be from a full approach, nor do they have to come down on the runway. One of the best ways to perform a number of practice drills is to hop into the sand. Each setup can be a little different and varied according to ability level and emphasis for that particular day.
“Heel to butt” reminds athletes that after takeoff the heel cycles up to the butt, which shortens the lever length and allows the leg to move forward quickly.
“Thigh high” helps the athlete focus on a full range of motion for this leg and helps put the athlete in a good position to “paw” or strike the ground on landing.
The final cue, “paw,” reminds the athlete that he is not simply landing but is involved in an active, aggressive, forward-propelling movement.
1. Single leg hop in place.
2. Hop up stairs.
3. Hop across the field with a partner following along behind and holding the non-hopping foot. (The athlete performing the drill should not wear spikes.)
4. Hop over cones or other low obstacles. (The obstacles should break away or fall down when struck.)
STEP PHASE
The step phase is a crucial phase to the overall jump, but in many ways, a successful step phase is a result of a well-executed hop phase. Knowing how to bound and performing a strong, technically sound hop ensures an effective step phase. However, the step phase must still be practiced and mastered. There are a number of drills that help athletes get the most from the step phase of the jump.
DRILL FOUR
ARM ACTION DURING PHASES
The arm action of the triple jumper is crucial. Good arm action can significantly add to the triple jump distance and must be practiced. However, sometimes too much emphasis on the positioning and location of the arms at each phase can cause the athlete to forget the main reason for the arm action in the first place.
The arms are used to deliver a blow to the runway. They are used to increase the amount of force the athlete can apply to the runway, thereby increasing the amount of force returned, which translates into increased distance.
A simple arm action cue the athlete can remember is “Leg back, arms forward.” In other words, every time a leg is coming down toward the runway, the arms are moving forward. Each time a leg is moving back toward the runway, the arms should be moving forward forcibly.
DRILL FIVE
I call this the BOOM, BANG, POW drill. Have the athlete walk with a double-arm swing and an exaggerated leg lift. Each time the athlete’s leg “paws” the ground, his or her arms should be moving forward. Arms should be driven to shoulder height and then cycled back.
JUMP PHASE
The jump phase is the final phase of the triple jump action and is identical to the long jump flight into the pit. The difficulty of this phase is the lack of horizontal velocity at this point in the jump. Another factor that can contribute to a poor jump phase is the athlete’s body position after “landing” from the previous step phase.
Success here is dependent on what has happened before, so much time should be spent on this phase. Drill this phase off the grass into the sand or off the grass and onto a landing pit. The important thing to remember is to drill off a bounding action with only as much speed as would be found in the actual triple jump movement.
Spend significant time on this phase. The athlete must experience the feeling of working against the forces that are attempting to negate a successful final movement. They will begin to understand the importance of effective arm action and knee drive as they spend more time trying to jump off a previous bounding movement.
DRILL SIX
Remember that most of the jump phase is covered during long jump practice. Work on the transition to the jump phase is needed. Coming off the step phase, body position is the primary concern. Correct body position prior to the jump takeoff will benefit the athlete by allowing him to apply arm drive and free leg swing (i.e., forces) in the right direction and at the right time.
FINAL
As each phase is learned, a coach must help the athlete combine them. Eventually, the athletes will make their way toward short-approach full jumps and, finally, full-approach full jumps. Remember to coach each phase first. Once a certain proficiency is achieved, move to the transition from one phase to the next.
Focus on maintaining horizontal velocity and jump for body position between phases and NOT distance. Too much emphasis is placed on phase percentages (of the total distance), and judgments are made of an athlete’s ability based on how well their jumps fit into these “ideal” models. Distance between phases will come with strength, maturation, and improved mechanics. Each jumper is different.
It is our job as coaches to exploit what the athlete does right, to help him use these strengths to his best advantage, and minimize or eliminate any weakness. The triple jump is an intricate event and takes time to master. Give athletes time to learn and feel comfortable with the various phases and component movements. Patience will yield a consistent crop of triple jumpers for one’s program over the years.






Delicious
Digg
StumbleUpon
Propeller
Reddit
Magnoliacom
Newsvine
Furl
Facebook
Google
Yahoo
Technorati